![]() ![]() TEACHER- THE PASSENGER OF THE TAXI MAN WHOM HE TELL HIS STORY.TAXI MAN- THE TAXI DRIVER AND THE FATHER OF LAY CHOO.Home media The first Collector's Edition, released in 1999, was packaged as a single-disc edition release. Clemons said that De Niro had seen say the line onstage at a concert as fans were screaming his name, and decided to make the line his own. In his 2009 memoir, saxophonist said that De Niro explained the line's origins when Clemons coached De Niro to play the saxophone for the 1977 film. Scorsese said that he drew inspiration from John Huston's 1967 movie in a scene in which character is facing the mirror. However, Schrader went on to say that De Niro's performance was inspired by a routine by 'an underground New York comedian' who he had once seen, possibly including his signature line. Travis Bickle's desperate need to make some kind of contact somehow-to share or mimic the effortless social interaction he sees all around him, but does not participate in.' Schrader does not take credit for the line, saying that his script only read 'Travis speaks to himself in the mirror', and that De Niro improvised the dialogue. ![]() Some critics have described the film as 'neo-noir'. However, despite similarities between Taxi Driver and the vigilante films of the 1970s, the film has also been explicitly distinguished as not being a vigilante film or not belonging to the 1970s vigilante film wave. Writer Paul Schrader confirms this in his commentary on the 30th-anniversary DVD, stating that Travis 'is not cured by the movie's end', and that 'he's not going to be a hero next time.' When asked on the website about the film's ending, Schrader said that it was not to be taken as a dream sequence, but that he envisioned it as returning to the beginning of the film-as if the last frame 'could be spliced to the first frame, and the movie started all over again.' The film has also been connected with the 1970s wave of and has been noted as a more respectable counterpart to the numerous vigilante films of the decade. He admits that the last scene of Bickle glancing at an unseen object implies that Bickle might fall into rage and recklessness in the future, and he is like 'a ticking time bomb'. ![]()
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